A modern consideration of the chromatic genus. With the assistance of new digital tools and the re-discovery of musical theoretical texts following the monumental works of Chrysanthos of Madyta (d. 1846), a simpler view of the chromatic genus can be ascertained and understood. Dr. Giannoukakis will present the foundation of this consideration along with a number of examples and explanations of musical practices at the analogion (cantor’s stand).

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